Download Adaptive Multimedia Retrieval: Semantics, Context, and by Andreas Nürnberger, Sebastian Stober, Birger Larsen, Marcin PDF

By Andreas Nürnberger, Sebastian Stober, Birger Larsen, Marcin Detyniecki (eds.)

This ebook constitutes the completely refereed post-conference court cases of the tenth overseas convention on Adaptive Multimedia Retrieval, AMR 2012, held in Copenhagen, Denmark, in October 2012.

The 17 revised complete papers awarded have been conscientiously reviewed and chosen from a variety of submissions. The papers disguise subject matters of state-of-the-art contributions, positive aspects and type, situation context, language and semantics, tune retrieval, and adaption and HCI.

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Additional info for Adaptive Multimedia Retrieval: Semantics, Context, and Adaptation: 10th International Workshop, AMR 2012, Copenhagen, Denmark, October 24-25, 2012, Revised Selected Papers

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Another experimental design is Cluster [22, 33, 66, 67, 72, 107, 126, 136, 189, 196, 218, 236, 237, 242, 253, 261, 301, 302, 304, 318, 320, 334, 350, 351, 365, 415, 417, 430, 438]. For instance, Rauber and Fr¨ uhwirth [350] employ the self-organizing map method with features extracted from 230 music excerpts, and analyze the contents of the resulting groupings. 6 % (12) of the experimental work [33, 72, 126, 189, 196, 242, 253, 261,301,320,430,438]. A seventh experimental design is Retrieve, which appears in at least 19 works [10,46,57,61,86,118,119,121,203,222,232,262,320,348,384, 388,446,447,466].

For instance, Chai and Vercoe [53] test their system on various class pairs from their dataset of three folk music genres, as well as on all three classes together. The second most-used experimental design is Features [1, 7, 9, 16, 17, 26, 27, 33–35, 37, 43, 48, 49, 53, 68, 69, 72, 93, 95, 102, 103, 105, 109, 115, 122, 126, 127, 139, 141, 143, 144, 146, 153, 157–160, 179, 182–184, 187–189, 192, 196, 197, 199, 200, 211– 213, 219–221, 226–230, 232, 236–238, 240, 242, 244, 245, 247, 249–252, 272–277, 280, 281, 283–287, 289–291, 300–303, 307, 309, 320, 327, 333, 337, 340, 341, 345, 361, 362, 364, 370, 371, 376, 377, 379, 385, 387, 390, 393, 396, 397, 401, 403, 406, 417, 420, 421, 425–427, 430, 432, 434, 436, 438, 443, 447, 451, 454–456, 460, 462, 464, 465, 467].

A ninth experimental design is Robust [3,10,21,27,38,48,49,52,55,58,75,79, 131,142,200,235,247,267,268,290,313,320,333,347,387,388,401,409,428,439]. For instance, Porter and Neuringer [347] test whether pigeons that have been taught to discriminate between music by J. S. Bach and Hindemith demonstrate their ability regardless of excerpt content and loudness. Soltau et al. [401] investigate the variability of their system using Classify by using features computed from excerpts of several durations.

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